Wednesday, February 1, 2012

Phil Anselmo Says The Darnest Thing

"And some bands come across as pretty generic. But I would take a lo-fi fucking rough shit recording of a great band over some over-produced, sleek fucking product that sells a million any fucking day at this point in my life" - P. Anselmo

Taken from Down's Facebook wall, as a part of the answer to the topic: On the state of heavy metal right now

Yup, isn't it obvious that it must mean Deathtime? -_^

At least Deathtime's most popular releases are those that are raw and brutal, aka. lo-fi in production. They sure don't sound generic, nor something that tries to be a part of this modern metal sound that just doesn't seem right, at least to those who are into classics (people who uses the word "that's old" usually are those who don't get what the classics are, am I wrong?).

Now, a little studio diary entry as we speak.

There are not much to be said. As writing this, Charlie is preparing to record more vocals, and to rewrite some of the lyrics too - in this case the method is to first write down many different lyric versions, and then use the ones that build the song.

Now, if you are about to ask that is Deathtime being corrupted to use some over-production this time? I should say no. The production is sure higher than before, but we aren't trying to "wash the soap" so to speak. But for some reason, this first single just demands a lot of work. So we remain stubborn to win this challenge, and when we prevail, you'll hear the end result that'll_sweep_you_off like a son of a bitch!

And I must say, that there are some new, quite tasty elements added to the song.

You'll hear them when it's time for that.

So stay tuned!

Wednesday, January 11, 2012

21.12.2012 COUNTDOWN!

The title may (also) mean the release date of the new album of Deathtime, but let us hope it doesn't because this stuff needs to get released as soon as possible.

So like it was said before, the production of the first single release haven't been too easy so far.

But after experimenting and testing, it is decided that Deathtime will release this piece of work in a way it is.

The mix is heavier and rawer than planned, yet it gives more natural evolution from the earlier, lo-fi, production.

There are now more features in the song, that you cannot find from the demo version, like orchestral backgrounds from heaving choirs to suspenseful strings (wow)!

Now, let's see what's going on!

These are the songs that have been recorded now.

Prayer of Death.

Like said before, the music is in by now, only the mix were the main problem with this. And after testing with diffent equipment and listeners, it is decided that this version will be finished, perhaps slightly mixed.

So the next move is to record the vocals and of course finish the lyrics.

And pretty much after that it is ready to be released!

Infanticide 

This is intended to be the second single. 

At this point it is almost completely replayed (and rearranged slightly) and therefore finished!

Lyrics, vocals etc etc still to go.

Gorestorm

It was very close that this more traditional kick ass Deathtime tune didn't become a single, however it is now under the (home) studio processing so to speak, and it should be one of the first songs that are ready for the album! 

Under the Shadow of the Crescent Moon

This one weren't on the original demo, yet it was planned and some of its lyrics were written too. Now it is written and the basic foundations are laid for this one. Perhaps it'll be used as extra material, or not.

Bleed For Me

And this one too is one of those extra songs, that never been turned into a demo. Yet some sort of non-canonized, pre/per-version of the song have been played before, and there are also some guitar and drum tracks that could have formed a demo. And the lyrics are written too. So, let's see where this final version goes.

(Yeah, these are all, oh so selling titles for any band!)

Thursday, December 22, 2011

Solstice Fire Brand

At first it did seem like there would be a hot streak of releases this year, since the year was opened up by the cover compilation called Covered In Blood - a reckless cover album where Deathtime slaughters some know and some more unknown classics, in its own executioner style.

Then there was also a writing process that took place from winter to summer, and not to forget to mention the photoshoot session which also took place.

Now, talking about the new material, it seems quite clear that the joke about 21.12.2012 deadline may become reality since the first single of the second Deathtime album is not going to be released this year.

The good news are, that the material is great, even better than the demos may have promised, and the music is ready for the single (except the vocals and lyrics, also the cover song needs a bit more adjustment).

The bad news comes from the technical side of the story. The mixing process simply hasn't been working like it should, so we either need to consider releasing this single the way it is, or keep on trying to mix it. It's been Home Studio's creative principal to eventually to move on - while always remaining loyal to your roots while still try something new - so this principal will eventually prevail. But this (technical) part have been extremely frustrating and exhausting, so this little christmas break sure is needed!

And at the same time, some new studio software will be installed, so that will take it's time to start to kick in too, but it should produce even better end result for your catharsis, thru better music that Deathtime brings to you.

But, since we didn't get the single release out for this season, there is still something you may consider as a christmas treat, yet not exactly as your usual christmas stuff.

Here we go... Deathtime: I Wanna Be Your Dog [Iggy Pop and the Stooges Cover] 



Merry Christmas!

PS. Hopefully the next post will be about this stubborn single release, or otherwise Charlie may go through a severe mental break down. If that happens, he is probably going to continue his musical career by playing imaginary instruments, in a mullet, at public places, until officers come and take him away (and perhaps cloth him too).